
Genres & Forms
Comedy
Comedy is a dramatic genre in which reality is depicted in a laughable, exposing light: through satire, humor, and irony it ridicules human vices, social shortcomings, and absurd situations; the conflict usually ends happily. One distinguishes the comedy of character, of situation, of everyday life, and of satire. The most important dramatist of ancient Greek Old Comedy was Aristophanes; unsurpassed examples were given by Molière (Tartuffe, The Bourgeois Gentleman), Carlo Goldoni, and Nikolai Gogol. In Ukrainian literature the classic comedy was created by Ivan Kotliarevsky (The Muscovite-Sorcerer), Hryhorii Kvitka-Osnovianenko (Courtship at Honcharivka), and Ivan Karpenko-Kary (Martyn Borulia, One Hundred Thousand, The Master — satirical comedies about the ruinous power of money), and in the 1920s by Mykola Kulish (Myna Mazailo — a satire on philistinism and Russification).
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Compare “Comedy” with another term
Meaning, origins and distinction — side by side.
Distinction
Farce is an extreme, simplified variety of the comic. High comedy rests on the comedy of characters and social relations, on witty speech, irony and psychological plausibility. Farce is built on crude, external situational comedy: buffoonery, grotesque, absurdities, brawls, disguises, caricature masks in place of characters. Comedy makes one think while laughing; farce seeks only unpretentious, bodily, fairground laughter.









