Lyrical Digression

The lyrical digression is an extra-plot element of an epic or lyric-epic work in which the author interrupts the narration of events to express directly his own feelings, reflections, and judgments, to address the reader or the subject depicted. The lyrical digression introduces the authorial voice into the work, broadens its semantic and emotional perspective, gives it philosophical or publicistic depth, and establishes a confiding connection with the reader. This device is especially characteristic of narrative poems and verse novels. A classic example is the numerous impassioned lyrical digressions in the poems of Taras Shevchenko (The Haidamaks, The Dream, The Caucasus), where the voice of the poet-prophet sounds with the utmost force of pain and wrath for the fate of Ukraine. Lyrical digressions are also present in Lina Kostenko's Marusia Churai, where they deepen the philosophical comprehension of history, memory, and the role of the singer in the life of the people.