Literature by Play Ukraine
PLAY-100 · 2026 Edition

Authors · Poets

The best authors of the section and their news. Refreshed weekly.

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Authors · Poets
News · Poets
Poetry readings: the stage as part of the textPoetry readings: the stage as part of the textPoetry online: how social media reshaped the stanzaPoetry online: how social media reshaped the stanzaPoetry prizes: what they actually rewardPoetry prizes: what they actually rewardThe Sixtiers' poetry: how to read it todayThe Sixtiers' poetry: how to read it todayTranslating poetry: between accuracy and musicTranslating poetry: between accuracy and musicClassics at school: poems worth rereadingClassics at school: poems worth rereadingFree verse about war: the language we lackFree verse about war: the language we lackYoung poetry: first collections, first readersYoung poetry: first collections, first readersFree verse and rhyme: what the new generation choosesFree verse and rhyme: what the new generation choosesOral tradition: from the duma to the modern poemOral tradition: from the duma to the modern poemSong and poem: where the border runsSong and poem: where the border runsPoetry books as objects: typography and paperPoetry books as objects: typography and paperThe rhythm of Ukrainian: why it sounds the way it doesThe rhythm of Ukrainian: why it sounds the way it doesPoetry readings: the stage as part of the textPoetry readings: the stage as part of the textPoetry online: how social media reshaped the stanzaPoetry online: how social media reshaped the stanzaPoetry prizes: what they actually rewardPoetry prizes: what they actually rewardThe Sixtiers' poetry: how to read it todayThe Sixtiers' poetry: how to read it todayTranslating poetry: between accuracy and musicTranslating poetry: between accuracy and musicClassics at school: poems worth rereadingClassics at school: poems worth rereadingFree verse about war: the language we lackFree verse about war: the language we lackYoung poetry: first collections, first readersYoung poetry: first collections, first readersFree verse and rhyme: what the new generation choosesFree verse and rhyme: what the new generation choosesOral tradition: from the duma to the modern poemOral tradition: from the duma to the modern poemSong and poem: where the border runsSong and poem: where the border runsPoetry books as objects: typography and paperPoetry books as objects: typography and paperThe rhythm of Ukrainian: why it sounds the way it doesThe rhythm of Ukrainian: why it sounds the way it doesPoetry readings: the stage as part of the textPoetry readings: the stage as part of the textPoetry online: how social media reshaped the stanzaPoetry online: how social media reshaped the stanzaPoetry prizes: what they actually rewardPoetry prizes: what they actually rewardThe Sixtiers' poetry: how to read it todayThe Sixtiers' poetry: how to read it todayTranslating poetry: between accuracy and musicTranslating poetry: between accuracy and musicClassics at school: poems worth rereadingClassics at school: poems worth rereadingFree verse about war: the language we lackFree verse about war: the language we lackYoung poetry: first collections, first readersYoung poetry: first collections, first readersFree verse and rhyme: what the new generation choosesFree verse and rhyme: what the new generation choosesOral tradition: from the duma to the modern poemOral tradition: from the duma to the modern poemSong and poem: where the border runsSong and poem: where the border runsPoetry books as objects: typography and paperPoetry books as objects: typography and paperThe rhythm of Ukrainian: why it sounds the way it doesThe rhythm of Ukrainian: why it sounds the way it does

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